By: Jeffrey Preis
On Monday night, the Bay Area band, Girls (an almost utterly un-Googleable band name), played to a packed house at One Eyed Jacks. The momentous indie band is made up of five members, but it’s the main project of front man and lead singer, Christopher Owens, and bassist/producer JR White. Girls stopped in for a Monday night show in mid-tour form as part of a lengthy, 3 month tour with Unknown Mortal Orchestra culminating with what will surely be a buzzed-about appearance at both weekends of Coachella in mid-April.
After the spring time feng shui was established onstage
(bouquets of flowers decorated the stage), the band arrived from behind the
curtains and began powering through songs from their newest album, Father, Son,
Holy Ghost. To say that this one started out with a bang would be an
understatement — it was loud, very loud (ears still ringing). The unabashedly
catchy “Honey Bunny”, the opening track from their latest LP, came next and
got the crowd jumping and singing along. Compared to all other songs played
during the set, this was the standout and one of the few upbeat songs of the
night. The tune is an ode to Owens’ mother with a surf guitar vibe. In stark
contrast, the rest of Girls’ rather ethereal repertoire seemed to lyrically
focus on the angst and anxiety for which Owens is known.
Throughout the show, Owens switched from electric to
acoustic guitar several times, oscillating between songs from 2009′s Album and
the band’s most recent LP from last year. The front man delivered little
enthusiasm and remained rather detached from the audience, saying “thank you”
sparingly. But from what I gather, this seems to be customary of Owens’
character.
He’s been compared to Kurt Cobain several times for his
lyrics and his appearance. This definitely held true on Monday night as
evidenced by the band’s oftentimes gnashing, hard-rocking songs, replete with
simplistic lyrics and beautifully constructed imagery.
The album, Father, Son, Holy Ghost, received a glowing 9.3 out of 10 from the tough and
heavily influential critics at Pitchfork and such high praise in and of itself speaks highly of Girls to a large
audience and has undoubtedly helped lead to their recent success. While the
songs themselves may have been a tad slow at times, the music itself kept the
performance afloat. Despite the lack of encore – one of the only times Owens
spoke to the audience to let everyone know there wouldn’t be an encore due to
running a fever that day — most fans departed the Toulouse Street venue happily
and were able to rock along with Owens and the band throughout the night.
Perhaps audience engagement was unnecessary — although generally appreciated
(especially for coming out on a Monday) — Owens and his band let the music
speak for itself.
"Honey Bunny"
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